Saturday, March 29, 2008

Mexico Preview (pix!)...

¡BIENVENIDOS, AMIGOS!
Thanks for dropping by.

We're just about to drive off to our digs in Mexico -- and since I don't know how to post pix on the blog while we're down there, here are a few from visits past, to give you a sense of it all...

For instance, here's a photo from the early days when we camped in the (ripe) mango grove.  A mix of villagers and Durangotans pose (Robert on the left).  The surfin' waves are in the background, but first we have to cross the river wherein this crocodile was found!  He swam too close to the salty water mixed in with river water and so died.  We always cross where the salty water mixes heavily with the river water....

The year after the crocodile surprise, we bought our little village casita and melted right in with the folks who live in the village -- and of course, particularly the kids.  Every spring is kite season, and the kids often gather on our porch to make their own unique kite creations out of sticks and old plastic bags.  And these kites FLYYYYYyyyyyy!!A rare view of our porch, with nothing on it.  We had just newly plastered and painted it.  It will fill up with hammocks, a hand-made (beautiful) table and bench made by Robert, and whatever projects we might be onto at the time.  It's a busy place, this porch.  The rooms serve mostly as storage -- but they too are finished and painted cheerful colors.  It's just so nice to be outside on the porch!
This photo, oh THIS photo---this photo reminds us of all the work awaiting us.  Hopefully the yellow flowering vine ("copa de oro") that we planted last spring will have climbed up that wall...  But we have to install that big water tank you see there on the back of our trusty-dusty car--which means we also have to get electricity wired over to us, too.  And our back porch (we extended that roof over it earlier) needs to have its floor cemented (by us).  You can see the pile of rubble/rocks that will go at the bottom as we hand-mix and pour the cement into the mold we'll have to build.  Our visit ain't all surfin'!  But it's livin', and we do love it.  To the right of the casita is one of the four (4!) mango trees on our property that will be dropping big ripe mangos every day while we're there this time.
So....  the next post will be from our digs in Mexico (well, the nearest rent-a-computer place).  In between the hard work, we'll be melting in with our friends in the village, playing with the kids,  sharing meals with friends, and singing with the traditional guitarist down the road at night...  Oh, and surfing (Robert),  and boogie-boarding (that would be me).    Our experience here is not a vacation...  It's a slice of life that we treasure.  Peace!  Sara y Roverto

Sunday, March 16, 2008

Whimsy! A Slovak Menu Decoded


A friend of mine is now living in Slovakia with her husband.  She is busily studying Slovakian -- but apparently even being a native speaker of English does not help her navigate the restaurant menu situation.  She recently sent out a list of actual menu items -- which were in ENGLISH! --  and challenged us to figure out what the hey!  HER words are in blue.  MY responses are in black.

The person with the most creative translations  wins a prize, viz:  a trip to Trnava, Slovakia at your expense!

Feel free to outguess me in a return email!!  Maybe YOU will be the one to go to Trnava!

======THE  MENU  QUIZ======================

Make an educated guess what you think these menu items are: 

1. Hen tea ---- HERB TEA!

2. Fried zander steak --- (a euphemism for food made from political invaders, fried.  The term "zander" is referring to Alexander the Great, none too popular in history)

3. Fritted Inkpot --- (black coffee, and I mean with the grounds still in it, and I mean you can EAT it with a spoon!)

4. Grilled slices of pork maiden slopped with Gipsy sauce --- (Every year on the Pisces New Moon, the gypsies kidnap, grill, and serve a comely, rounded (porky) maid, all done up with the finest herbs and flavors poured liberally over slices of ...her!)

5. Wild boar on hip wine sauce --- (Boar is misspelled;  it's wild BORE,  and this is someone like a deadly dull professor, or politician who, like the portly (pork) maiden above, has been kidnapped and well-cooked,.  The wild bore is then  laid out on a grand, deep tray where he soaks in the finest of home-made wines;  very hip these days)

6. Baked smoked knee for two persons --   (who KNEW that Slovaks were such cannibals!  Yet ANOTHER meal made of human parts!  These are the tenderized knees of religious renunciates whose knees have been knelt on for what to US would be a lifetime -- the bone swells and the cartilege fills with juicy tender bone tendrils which have a great crunch to them once baked.  Smoking the knees gives them a nice wild flavor, like a renunciate who lived alone on some mountaintop (a delicacy).  It's for TWO persons because there are actually two knees per renunciate. )

7. Pickled Rams Horns --- (just what it says it is -- but they are hell on your teeth!)

8. Home tray of chef for two persons ---  (this keeps the various chefs in line, for there IS  a constant turnover of chefs owing to complaints from diners;  in actuality, there is no chef diced and soaked in a secret home-made wine sauce;  this is a tray of soaked wild mushrooms.  Go figure)

9. American potatoes ---  (just what it says it is, only raw, unsliced  and unwashed...  simply placed upon a plate, from which they might roll off if the waiter is clumsy.) 

10. Fried champions --- (alas, another euphemism -- this is obviously what becomes of the LOSERS in the Slovak Olympics;  boiled, actually, in oil)

11. Fried ermine in beer batter --- (on a stick!  honest to God, I've had one!  crispy little ermine, feet and all, with the tail still furry, with white fur, for effect)

12. Cup of ice with cream (this isn't as obvious as it looks) --- (nothing like it says here,  it's merely ice cubes with clotted cream poured over it;  costs more if you add creme de menthe.)

Wednesday, February 20, 2008

ISHTAR'S GILGAMESH....

 











Recently, I performed the ancient Mesopotamian story of "Gilgamesh."  The story itself, some 4,500 years old, and carved in cuneiform on clay tablets, describes one man's search for immortality.  It is a timeless story, and it 
speaks to me.  I find that I am deeply moved by this ancient tale.


A timeless, poetic, and powerful story, it rocked me to my bones as the hero struggles against the inevitability of death -- both of those he loves and of his own death.  In the end, after a long and driven journey beyond the boundaries of this world, he finally comes to terms with the nature of life.  You will recognize yourself here.

As I was performing it, I realized that you could say that this story is also a celebration of Ishtar.  She is there at every pivotal moment in the life of Gilgamesh, influencing and dramatically affecting the trajectory of his experiences.  So, from that viewpoint, I briefly recount the major events:

 


In his youth, Gilgamesh is a powerful, self-centered and egotistical ruler determined to make a name for himself through great works -- built by enslaving his own people.  Furthermore, he lays claim to the virginity of every young woman in his city-state of Uruq.  In despair, the people pray to Ishtar for deliverance.  I cannot ascribe to Ishtar a complete manipulation of Gilgamesh.  He has free will, and thus it seems the story can go in a number of directions. However, in the end, Gilgamesh will be transformed.



Because the people have prayed to Ishtar,  she will respond.  She creates a "second Gilgamesh," a Gilgamesh with heart.  She forms him out of a lump of clay and tosses it into the wilderness.   And now the story swings into its own wild imagery.



This new creation, Enkidu as he is called, is a seductive wildman, a charming free spirit.  He captures the hearts of the people of Uruq and he blends his soul with that of Gilgamesh.  But for the heart of Gilgamesh to really open, Gilgamesh must understand how deeply he loves.  The drama carries on.  Enkidu and Gilgamesh join forces and become unstoppable.  What they would do, they CAN do, and like two Titans, they look for great feats to accomplish, for terrifying monsters to slay.

At the end of one great conquest, Ishtar comes to Gilgamesh, seductively, offering her hand in marriage.  Ah, but he rejects her, and does so with an eloquent speech full of insults.  In rage, Ishtar sends down the Bull of Heaven, meant to destroy Gilgamesh...



 ...but instead, it is the Bull of Heaven that is slain -- with the excellently choreographed help of Enkidu.  Gilgamesh has not been humbled.  His heart has not been opened.  The prayers of the people of Uruq have not been answered...
Ishtar wails from the high walls of Uruq, ignored by the triumphant heroes.

Now begins the deep power of the story.  As decreed by the gods, Enkidu is stricken with a slow, debilitating loss of power -- dying without glory, merely ebbing away.  When he dies, Gilgamesh goes mad with grief and rejects all his kingly trappings.  He takes on the rags of the wildman that Enkidu once was, storms out of Uruq, and seeks immortality beyond the very ends of the earth.

And who is waiting there for him, when he actually reaches this remote region?  A barmaid who calls herself Siduri...  a disguised Ishtar.  She is kind and forthright.  He seeks immortality, so she gives him advice on how to reach the one man who can help him.  And she smiles.  Her parting words, before he sets off on this last stretch of his journey, are these, "...if the boatman will not help you cross over the lake, you can always come back to me...."

Gilgamesh sets off in search of the boatman.  When the boatman does not immediately respond to his summons, Gilgamesh displays his typical arrogance and quick anger by destroying the stone images in the boat.  In doing so, he has destroyed the power that carries the boat safely across the death-waters of the lake.
  
With genuine patience, the boatman offers a last alternative -- and so here you see Gilgamesh bringing "twice-sixty" poles to push the boat along.  Each pole can be used only once before it is eaten up by the toxic waters.


The goal of this lake-crossing is to reach the one human who has achieved immortality, a man called Utnapishtim.  What Utnapishtim shares with Gilgamesh is a story within itself -- but in the end, Gilgamesh is still denied the immortality he seeks.  Utnapishtim advises him to return home, and to live out his life.

At the end of this long circular journey, Gilgamesh approaches the great walls of Uruq.  His heart has opened.  No longer arrogantly proud, he recognizes the beauty of the city of Uruq -- the walls, the city within, and the people who dwell there.  And he recognizes it as the home of Ishtar...

 
Using the honorific that indicates her presence, the humbled Gilgamesh has returned to Uruq of the Sheepfold.  

Saturday, January 5, 2008

Alas, Corazon

How ephemeral are the "things" of our lives. My heart is aching as I write this...
Little Corazon, the kitten we rescued in Mexico and brought home to live with us -- pictured here in Mexico at only a month old -- the kitty with a heart on her side, and a diamond on her head, so communicative with her posturing and eye contact, the kitty who did NOT mess with the Christmas tree ornaments and who stayed off the furniture, and who purred so loudly, who loved shredding string and paper, and playing with that other kitty inside the mirror, and who luxuriated in long cuddles in my lap, who loved to explore the outdoors (but always with a cautious and wary manner)...    On her ninth-month birthday, on December 31, 2007, she lost the stand-off with a coyote.  
As the grief floods over me, images of other tragedies cascade in -- the ones I read about in the news about people I've never met, creatures I've never seen, places I've never been -- and I find I'm weeping for the whole of it.  When finally I remember to sit quietly and let myself calm down, I find that what is left is Love. Best to stay in Love, not Loss....  
Om Shanti Shanti Shanti


Tuesday, December 25, 2007

The Living Heart of Christmas

The living heart of Christmas on our living room floor, this morning....
and a very warm and playful day be yours today and all week and
through the next year, too!
Love from Sara, Robert and Corazon!

Tuesday, December 4, 2007

A SADHU'S CHRISTMAS IN INDIA

A SADHU'S CHRISTMAS IN INDIA 
--excerpt from my autobiographical performance piece
--with kudos and gratitude to Dylan Thomas for inspiring this format

One day was so much like another, in those years around that holy ground now and out of all sound except the distant ringing of temple bells I sometimes hear a moment before sleep, that I can never remember whether I walked for two years when I was 26  or whether I was 26 and walked for three months.  I do know that I was there for two years in total and all those days roll down toward the cleansing waters of the Ganga -- a Himalayan stream dashing and roiling down the rock-laden land -- and I plunge my hand into that crystal clear pool resting in the heart of my soul.  In goes my hand  and out comes this....

Years and years ago, when I was a young girl, my 7th grade English teacher, Miss Evans, draped herself langorously on her stool in front of  the class.  "Take out a sheet of paper, and pick up your pencils.  I am going to pose two questions:
First: If you could be anyone, anywhere, at any time, who would you be?  
Second: If you could be anywhere, at any time, where would you be? 

To the first question, this 7th generation Unitarian child--raised with a strong social conscience but an as-yet under-developed feminist awareness--wrote:  "The wife of someone like Albert Schweitzer or Mahatma Gandhi."

To the second question, this 7th generation Unitarian child--product of a congregation which though strongly compassionate in its teachings was also decidedly atheist--wrote:  "Bethlehem.   At the time of the birth of Jesus."  The reason I gave was that I wanted to know if that really happened -- if God really did take the form of a human being -- if He really could...  I mean, if there IS a God, then seeing Him as a human baby would prove it to me.  And if it did happen, then I wanted to be in on the celebration.

But here a small child asks,  "Then why did you go to India if you said that you wanted to go to Bethlehem?"

Because, you see, I heard that there were God-men there. 

"And did you see any God-men--in India I mean?"

Oh indeed I did.  And God-women, too.  And it was like Christmas every day, with all the lights, and the singing and the sharing of simple gifts.  I recall walking along the narrow, winding cobbled streets of Vrindaban--oh sacred town holy to the childhood days of Krishna.  Any night of any time of year, you could walk down those streets and hear the sounds of bells, and drums, and harmoniums, and voices raised in songs of praise.  Walk a few steps further and you would hear a different song, and a few steps more and in the next dwelling, the people are singing yet another song to a different rhythm and with a different mood.  I used to dance in the streets, spin in circles with my hands raised, laughing and singing along.  I was by no means alone in feeling such joy, in dancing spontaneously like that, for many people were filled in this way.  But all that was in the days before the loudspeaker. I don't suppose you can experience it that way now.

"But what about the Nativity," a small child interjects.  "You said you wanted to see the Nativity.  Did you get to see it?"

Ah, yes.  That's how this narrative began, isn't it.  Thank you so much for asking that question.  Yes, yes, I did.  I did get to see the Nativity.  What a sweet way to end my story.  There WAS a Nativity scene.  

One full moon day--always a holy day in India--I had found out where my friend Uma had moved to.  Uma was a sadhu, a wandering Hindu nun under a strict vow of renunciation, and a friend of mine.  She never stayed long in any one place, so now that I knew where she was, I decided that I'd take her a home-cooked meal.  

I happened to have some rice and mung beans, and some flour for chapatis.  No spices, but hey, she's a sadhu, too, like me.  She lives in acceptance.  Cooking this meal took most of the day so that it was close to sunset when I approached the little kutir where she was staying.  The kutir stood alone in a field far from any other dwellings.  It was really just a shed, with three walls and a roof and one side open.

As I approached I saw that I was hardly alone in my desire to bring her a gift.  Many had come before me, and were standing quietly in line, softly singing holy songs.  The line stretched a long way back.  I took my place at the end and soon, more people lined up behind me, all bearing gifts.

In my heart's memory, the full moon was glowing just above the horizon behind her kutir, illuminating it from behind.  How my memory wants that vision to be true...  But what I do know to be true is that as I inched my way closer to the little shed among all these devotees, I recognized where I was, what I was seeing.  

This was the Nativity.  Here were devout peasants bearing gifts to lay before a being they viewed as holy.   The shed  with its open side was so very much like depictions of the manger we've all seen, and inside there sat a gentle and holy woman.  True, there was no Christ-child, no Joseph nor Wise Men.  But here was the devotion and the aura of holiness.

When it was my turn to bow down and place my gift before her, Uma laughed softly.  Quietly calling my name, she gestured for me to come in and sit beside her.  

So there I was, my childhood dream coming true.  And now, I was invited to watch the Nativity scene from within, looking out. 

I watched as each devotee quietly approached and lay down an offering.  They looked only at her.  I was free simply to observe the sweetness of love in their eyes.  With each offering, Uma reached out and touched it.   Having thus blessed it, she pushed it back towards the giver.  Each smiled shyly,  palms pressed together in a gesture of respect, and with bowed head slowly backed away.

This must be what Mary and Joseph saw.  With their own hearts bursting with love, they watched a seemingly endless line of loving beings coming forward for a glimpse of Love Incarnate.  All in sweet silence, and the moon glowing softly over all.

Uma never accepted any of those gifts--which, oddly enough were, every one of them, a thali of home-cooked food.  The only plate of food she kept was mine.  That would serve as her one meal for the day.  I felt so badly for her.  Mine was the only one cooked utterly without spices, utterly without skill, and with only the most basic of ingredients.  She had turned away the very finest of meals each devotee could offer, in order to eat cardboard-hard chapatis and undercooked mung beans with saltless rice.  

The hour grew late, and all the others had gone home.  I bid Uma goodnight and headed back down the path towards my own little kutir.... letting the moonlight guide me home.

Later, Uma told me how that evening ended, and with this, let me end this telling.

After everyone had gone, after she had eaten my humble meal, and the land had gone silent, she realized that of all the plates of food offered her that day, not ONE of them contained any sweets! 

"Hey Ram!" she called out to the emptiness beyond, "where's my sweet prasad?"

In that moment, a sparrow fluttered in under the roof, and dropped one small puffed kernal of pure sugar--it looked like a small piece of popcorn--and fluttered back out into the night sky.

Om Shanti Shant Shanti.

Saturday, November 24, 2007

Winter wildlife...

A local deer in our backyard, spotted just this morning, as I was
making my way to the creek beyond.... and two wild birds pausing a moment by the creekside to look for fish. Care to join me for tea?